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Additionally, he dons a golden grill over his teeth and holds a beer, performing a certain aesthetic associated with black rappers in hip hop. Further complicating the contact between African Americans and the Japanese were the San Francisco System — a bilateral system between the United States and Japan, among other countries — and the subsequent involvement of the United States in the democratization of Japan. For example, during the period of occupation, it was commonplace for black soldiers to be referred to as kurumbo , a highly-derogatory Japanese racial slur for black. Popo in the show and manga, produced decades after the Dakkochan began being sold and the Little Black Sambo began circulation in Japan, is one such example of an enduring cultural image of blackness in Japan. Concerning the latter, I will explore particular spaces for popular representation in Japan: minstrel characters and their many reiterations throughout Japanese popular culture and hip-hop culture. Kohh, the Japanese rapper, performs in his native language — at one point, even makes a reference to a Japanese cultural figure Tashiro — but adopts a stylistic delivery typical of African American hip hop. This digital humanities project considers two forms of occupation in Japan: physical occupation in the immediate post-war period and cultural occupation, through images and media depicting blackness.

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Kensington. Age: 29.
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In a way we are like negros, who have a long record of oppressions and misunderstanding, and we feel akin to them.

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Catalina. Age: 28.
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Undeniably, African-American men occupied a position of power when considering their presence as American soldiers, they were also subject to both the prejudice of racially-segregated policy and wide-spread colorist notions concerning darker skin in Japan. Further complicating the contact between African Americans and the Japanese were the San Francisco System — a bilateral system between the United States and Japan, among other countries — and the subsequent involvement of the United States in the democratization of Japan. With the entrance of the US into the Korean War, the bodies and physical presence of African-Americans in Japan may have retreated, travelling west, but memory and images remained. In instances such as the Sambo and It G Ma , blackness is reduced to images imported from abroad. Concerning the latter, I will explore particular spaces for popular representation in Japan: minstrel characters and their many reiterations throughout Japanese popular culture and hip-hop culture. Perhaps one of the most prevalent ways of cultural presentations of blackness can be seen in Japan is through hip-hop culture, which emerged in the s. Arguing that the period of occupation is foundational when considering blackness in the Japanese imagination, the article highlights proximity between African-Americans and the Japanese, a proximity that I argue subsequently affected Japanese conceptions of blackness in media and culture.

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